location and mise-en-scene was an important factor within corporate photography I found  when researching the form before the shoot. What’s in the shot around the subject is just as important as the person, unless of course you’re shooting someone already heavily established within the community/mainstream society.
If photographing the likes of Richard Branson or Alan Sugar then you don’t necessarily need a B/G that connotes business at all. Just a simple plain white studio backdrop will do for a simplee, quick shoot. For unknown subjects, however, you need to photograph something that confirms the business for the client. For example, I assisted on the shoot for a guy in the class who shot a car showroom owner. For his two shots he chose to photograph the guy in one of the cars in the showroom and then leaning on another car outside with his business logo in shot on the wall behind him. You don’t need any captions or text to establish what the subject does for the viewer, the photograph says it all.
With this in mind, I planned my shoot with Fiona in a way that ensured the subject was established to my audience. More specifically, I planned for a magazine that would be more of a local paper to my hometown. Therefore my first shot of Fiona in front of the school water tower would easily establish to my readers that this is the head teacher at Maryhill. The second shot includes students and some media equipment to further establish the school and it’s media specialist status.

location and mise-en-scene was an important factor within corporate photography I found  when researching the form before the shoot. What’s in the shot around the subject is just as important as the person, unless of course you’re shooting someone already heavily established within the community/mainstream society.

If photographing the likes of Richard Branson or Alan Sugar then you don’t necessarily need a B/G that connotes business at all. Just a simple plain white studio backdrop will do for a simplee, quick shoot. For unknown subjects, however, you need to photograph something that confirms the business for the client. For example, I assisted on the shoot for a guy in the class who shot a car showroom owner. For his two shots he chose to photograph the guy in one of the cars in the showroom and then leaning on another car outside with his business logo in shot on the wall behind him. You don’t need any captions or text to establish what the subject does for the viewer, the photograph says it all.

With this in mind, I planned my shoot with Fiona in a way that ensured the subject was established to my audience. More specifically, I planned for a magazine that would be more of a local paper to my hometown. Therefore my first shot of Fiona in front of the school water tower would easily establish to my readers that this is the head teacher at Maryhill. The second shot includes students and some media equipment to further establish the school and it’s media specialist status.

This next option is not my favourite. It was merely to see how these two shots would look in the layout.

The first shot is too cluttered for me, I can’t comfortably look at it….it doesn’t flow.

The second shot is a good idea but the composition is messy, if Fiona was more central then this may be the killer shot.

The second option is more of a juxtaposition between Fiona’s strict and pleasant natures. 

The portrait shot is a nice representation of her true personality that the students don’t often get to see. Her cat-loving, kind natured side. During the shooting of this particular shot she was making me cups of tea and feeding me out of a ‘motherly’ nature. She knows I’m living on a student diet so she personally made sure I had plenty of food that day. this shot really shows that side of her to me.

The 1:1 shot shows her stricter side. Not too much that she appears entirely frightening but enough to establish a sense of authority. We can see the sky in the shot in parts but not enough for me to be set on this as the final image.

kjohnnywpower:

This is the first option for the final indesign layout file. 

The outdoor shot is basically one of the only ones I can work with as the snow messed up my outdoor shoot big time. So the indoor shot will be the only image I can play around with to any exciting extent.

This shot of Fiona through the door is quite playful and fun whilst maintaining an authoritarian atmospheric. I really would like to consider this for the final submission but there is no real second light source in shot and therefore doesn’t meet the brief. I like that the assistant is in shot looking as though she’s being bollocked by the head for something even though this wasn’t intentional. Just goes to show how better images can come from mistakes at times…

The shoot:

The first batch of shots took place on the stage in the main hall of the school. I used to perform on that stage frequently while I was there so this was a personal favourite part of the school for me. It was also the best location to set up the school’s film tungsten lights for a moody atmospheric shot. The shot I was going for was a ‘dragon’s den’ style image which establishes Fiona as the head of the school. Though she has a beautiful kind side to her personality, she can be a stern and strict headmaster at the school who commands respect and authority. So I positioned her in the centre of the stage on a tall, old carved wooden chair with a symbol of the local landmark (Mow cop castle) on it. To create a sense of ‘military’ leadership, I recruited two young students to ‘flank’ her on smaller chairs and further back. The second light source, the tungsten film lights, were used to help black out the B/G and also symbolise the fact that Maryhill is a media specialists college for some contextual mise-en-scene. I placed the elinchron to her right direct side and a strong tungsten light on her right direct side. This was to create some shots where her sides are lit but her face, as I posed her leaning forward slightly, is in shadow for an enigmatic atmospheric.

The second batch of shots were in her office. Julian stated that it’s generally not best to photograph the BOSS in an office as this is too predictable and boring. However, in this occasion, her office is full of personality and is an excellent scene to gather information about her personality and life. She has a particularly strong attachment to cats and this is well known throughout the school, she often talks about animal charities in assembly. So I really wanted to take some portrait shots of her with some of her cat ornaments in her office. 

The third set of shots was partly Fiona’s idea and influenced by a photograph I saw from Julian himself where he photographed a subject through a letter box with the flash on the opposite side of the door to him. Fortunately, my job was simpler to set off the flash as I had the wireless trigger. Jules had to set off the flash using a speed light to hit the slave through the letterbox. The idea behind this shot was to comically represent Fiona when she is ‘spying’ on her students and ensuring all is well. This is also the view the students would get when they are ‘sent to the head teacher’.

The next set in the main corridor of the building was an experimental idea I had. I could always remember when I was there that the lights reflected heavily off of the white, shiny walls of the main corridor. I wanted to see how the ranger flash would work in there. The results were interesting, the shine along the corridor was awesome..especially on slower shutter speeds so the incandescents could take form. We also recruited some more small students as props within the shots to further establish the location. I also enjoyed using slow shutter speeds to blur out the moving students whilst the ranger froze Fiona.

the last set of shots were taken at the front gate of the school next to the school sign. I was originally intending to shoot the outdoor shot on the main yard with Mow cop castle in the B/G but the icy conditions made this too dangerous to shoot. The other problem with the weather was that the sky was completely cloudy with deep clouds so there is very little definition and dynamics in the B/G. Unfortunately, I couldn’t shoot for too long outside as it began to snow therefore we cut the shoot short and headed inside for a brew.

Possible subjects:

kjohnnyw:

The idea to photograph the bank manager has been abandoned as we have been advised to stay away from bank representatives. They prove to be difficult to get a hold of and security risks cause endless problems in shooting schedules. Therefore I decided to switch my gaze to the north.

The easiest subjects for me to photograph in terms of winning an audience with them are mostly based in my home city of Stoke-On-Trent. I know many people who own/run businesses or are high standing representatives of companies/institutions such as the headmaster of my old high school.

The following is a list of some possible people/businesses to photograph for the ‘Boss’ project:

.Spyder Bats- The founder, AKA ‘Spyder’, is a close friend to my family

.ICT Networks- The founder and a number of his employees are also friends to the family.

.Bagnall C.C- The captain and head of the club is a friend of the family, has hired me for multiple jobs in the past and is also the founder of his own building company.

.The Plough- The owners of the pub are personal friends of mine who hired me to perform in their pub many times. The awkward fact about this pub is that it’s positioned right next door to our police station…easy drinking lads.

.The Canal Tavern- Also owned by friends of myself and my family.

.Maryhill High School- The headmaster is a supporter of all her students both at the school and at university/college.

.Kidsgrove tattoo parlour- The owner of the parlour is the second half of a personal friend of mine who wants photographs taken of herself and her partner.

.Theatrical producer/director- My brother is a professional actor currently working with multiple producers and directors around London and Newcastle such as Sam West.

I should contact a few of these as soon as I can to arrange a shooting date but will also have to ensure they are free over a weekend considering that this will be the only time I can travel back to Stoke.

If there’s one thing this project has taught me so far…it’s to make many friends.